A Friend of a Friend of a Friend

HEADER_Lefebvre21Above: Pierre Lefebvre, Collines (Hills), 2011, Oil on panel, 48 x 60″ (detail)

My friend Kim, whom I haven’t seen in many months is coming over in just 30 minutes or so. She’s invited me to attend a vernissage at Gallerie de Bellefeuille on Greene avenue, which is just up the hill from me, to see the work of an artist who is the friend of a close friend of hers, as she’s been wanting to introduce me to both the friend and the friend of the friend, who is apparently a hermit like me, though I’ve no idea why she thinks this is a good idea, because I’ve never heard of hermits getting along together particularly well. But I’ve seen Pierre Lefebvre’s work online and he is very talented, so should be interesting to see it and he in person at least. Also, Kim has always encouraged me to promote my art and live from it somehow and this gallery is very well known and I think she imagines I could eventually be represented there too somehow, even though I haven’t picked up a paintbrush in at least a couple of years now and have maybe all of 1.5 finished paintings to my name, and unsigned ones at that… I guess miracles are known to happen, and it’s nice knowing there are people who believe in my talent as possibly leading me somewhere eventually, even at this late stage and with the little energy I do have.

 

Man with Pens & An Announcement

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I posted the above gallery on my art blog, createthreesixty5.com a little while ago, and for reasons I fail to understand, that blog post failed to publicize on Facebook and other linked sites as it usually does. I’m posting this preview page of the gallery to alert those who aren’t subscribers to my other blog that I’ve completed that project, so if you’d like to see the completed image and photos of the process it took me to get there, just click on the image above which will take you there.

I’d also like to take this opportunity to say that I’ll be taking on a small number of commissions for portraits of people and pets, working from photos in a similar approach (“black & white” graphite on paper). My technique is very meticulous and slow going, so I can only accept a handful of projects before the holidays, but would love to put my talents toward providing gifts to loved ones and friends. Send me a quick message if you’re interested and we’ll take it from there!

The Strangest Book Ever Created?

0847842134.01._SX450_SY635_SCLZZZZZZZ_Codex Seraphinianus by Luigi Serafini
Source: National Library
Edition: Rizzoli (2013), Hardcover, 396 pages
Original publication date: 1981

A truly bizarre work which has often been described as the strangest book ever created, and which has to be experienced to be believed. The physical book is in itself is a work of art, presented as a large format hardcover volume with countless colour illustrations printed on a high quality, thick, ridged paper, which make the coloured pencil and ink illustrations look as though they’ve been drawn directly on the page. The overall work has the aspect and organization of an encyclopedia, with clearly formatted pages of explanatory text and diagrams in a wholly invented language, presenting exquisite though illegible calligraphy throughout; the language of the book has defied linguists for decades, but one cannot help but try to make sense of it. Many “specimens” are shown in detailed drawings, from fantastical plant forms to local costumes, mechanical devices, architecture and landscapes, which could only exist in an alternate universe, the brain of someone on LSD, or as Serafini himself explained for this recent 2013 edition, from the mind of the cat who kept him company in the late 70s as Serafini worked feverishly on this project during 30 months, with the feline perched on his shoulders and transmitting his ideas to him telepathically. He in fact credits the cat as the true creator and himself merely as the scribe. Not surprisingly, Serafini is an Italian artist, architect and designer who has, among other things worked with the famous surreal film director Federico Fellini, and his book has been compared to works by M.C. Escher and Hieronymus Bosch.

I find I cannot rate this book, for the simple reason that I was completely enchanted in the beginning, as well as astounded at the level of detail, sheer work and vivid imagination put into this huge volume, but perhaps changing moods coloured my perception as I kept turning the pages because I was at times delighted and enchanted, and on some days I felt as though I was seeing nightmarish visions. I’m glad I was able to borrow this volume from our national library system and didn’t go ahead and spend the $80 listed price on it, as I may want to pore over it again once or twice, but ultimately found it too disturbing to have in my permanent collection. But that’s just me. Others I’m sure will be delighted to own this fantastic volume, and for good reason. Click on the thumbnails below to see larger reproductions.

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A Drawing Project

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I’ve just posted the gallery above, showing the progression from start to finish of my latest completed piece on my art blog, createthreesixty5.com. You are welcome to view the post (and larger images) and leave comments if you like by clicking here.

Happy New Zzzzz…

IMG_5506 (2)Coco and I would like to take this opportunity to wish you all a Happy National Sleep Day and also a Happy, Peaceful and Satisfying New Year!

Most Memorable Reads of 2013

Given I’ve read close to 160 books this year (158 to be exact), I found it almost impossible to narrow my list down to just ten books. Besides, why should I? I’ve been lax about writing reviews this year, so thought I’d just write a quick line or two about each of my 31 choices explaining why they were especially memorable to me. They are listed in reading order:

Gillespie and I by Jane Harris ★★★★½
Faber & Faber (2012), Paperback, 440 pages.
Because an unreliable narrator done this well always makes me want to go right back to the first page and start all over once I’ve finished the book.

The Power of One by Bryce Courtenay ★★★★★
Bolinda Audio (2006), Unabridged MP3, 21h34.
Because one little guy’s dreams of glory as a boxing champion to make reparations for a whole nation makes for a captivating read in Courtenay’s hands. He’s a bestselling author in Australia, but apparently little known everywhere else. Aussie actor Humphrey Bower narrates all Courtenay’s books and is a real pleasure to listen to. 


84, Charing Cross Road
by Helene Hanff ★★★★★
Penguin Books (1990), Paperback, 112 pages.
Because these genuine written exchanges between a quirky American writer and a very English London book vendor in postwar years make for every book lover’s delight.

The Handmaid’s Tale by Margaret Atwood (3rd reread) ★★★★★
The Folio Society (2012), Hardcover 336 pages. Illustrated by Anna and Elena Balbusso. Because rereading one of my all-time favourite novels from a gorgeously illustrated Folio Society edition started me on avery expensive, but highly satisfying craze.

Elizabeth and Her German Garden by Elizabeth von Arnim ★★★★★
Blackstone Audiobooks (2006), Unabridged MP3, 3h47. Narrated by Nadia May.
Because von Arnim made me, a city bound dweller, fall in love with her garden as well as her feisty character. The perfectly adequate audio version compelled me to search high and low for a beautiful vintage collector’s edition and I was rewarded with this little jewel from the MacMillan Company (1901), first American edition. 

Tales of the City by Armistead Maupin ★★★★½
Harper Audio (2013), Unabridged MP3, 7h39.
Because reading this story set in ’70s San Francisco was like getting acquainted with the roots of everything the 80s pop culture of my childhood and youth became for the rest of the world. Frances McDormand narrates this audio edition; quite a treat. 

Good Behaviour by Molly Keane ★★★★½ Folio Society (2011), Hardcover, 240 pages. Illustrated by Debra McFarlane.
Because reading about the misadventures of the Irish St Charles family whose prime concern is keeping up appearances, as seen through the lens of Aroon St-Charles, the unlovely and ungainly heroine, made for a gripping ride as they all descend from riches to rags

Travels with Herodotus by Ryszard Kapuściński ★★★★½
Folio Society (2012). Hardcover, 248 pages.
Because Kapuściński’s love letter to Herodotus’ The Histories made me want to get better acquainted with the ancient historian and read more works by them both.

Middlemarch by George Eliot ★★★★½ Naxos AudioBooks (2011), Unabridged MP3, 35h40.
Because it’s a classic love story and social commentary about a small English community peopled with fascinating characters I hope to revisit again and again. This audio version is narrated by the Divine Juliet Stevenson, but I’ve got a Folio Society edition standing by for future rereads. 

Eugene Onegin by Alexander Pushkin ★★★★½
Folio Society (2012), Hardcover, 280 pages.
Because it’s a captivating tragic story about unrequited love complete with a duel to the death. Because it’s told in verse, yet still reads like a gripping novel. The Folio Society edition illustrated by the Balbusso Twins is to die for. And the Opera version by Tchaikovsky isn’t bad either. (A short editorial)

Le fantôme de l’Opéra by Gaston Leroux ★★★★½ Le Livre qui parle (2005), Unabridged CD, 10h.
Because I finally got to discover the mysteries of the Phantom and the story had more intrigue to offer than I could ever have hoped for.

Black Mischief by Evelyn Waugh ★★★★½
AudioGO (2010) Unabridged MP3, 6h49.
Narrated by Michael Maloney.
Because it’s a hilarious send up about an African emperor’s misguided attempts to bring his country into the modern age, and everything that can go wrong does so with a vengeance. Waugh is so brilliant I want to read everything he’s ever written.

Jumping the Queue by Mary Wesley ★★★★½
AudioGO (2011), Unabridged MP3, 5h36.
Because Mary Wesley had a talent for creating fascinating characters and made me deeply care for an old woman intent on suicide, and not find ridiculous that she fell in love with a much younger suspected matricide. Wesley, who started writing in her 70s and became a huge success is an author worth discovering. Anna Massey, one of my favourites narrates this edition.

Jane Eyre by Charlotte Brontë (reread for Coursera The Fiction of Relationship course) ★★★★½
White’s Fine Editions (2010), Hardcover, 448 pages.
Because that crazy woman in the attic makes Rochester’s unforgivable behaviour almost understandable.

The Potato Factory by Bryce Courtenay ★★★★★
Bolinda Audio (2005), Unabridged MP3, 23h27.
Because it tells the story the real life Fagin, the criminal Ikey Solomon, and while it doesn’t make him the least bit more likeable, it turns him into the centre of an epic tale you can’t help but be carried away with.

Hamlet by William Shakespeare ★★★★½
Sterling Signature (2012), Hardcover, 456 pages.
Because I finally got to discover for myself what the big deal is, and the Prince of Denmark had no difficulty transcending his own fame. This gorgeous edition features cut paper illustrations by artist Kevin Stanton.

The Testament of Mary by Colm Tóibin ★★★★½
McClelland & Stewart (2012), Kindle Edition, 112 pages and Simon & Schuster Audio (2013), Unabridged MP3, 3h07.
Because Tóibin presents us with a completely believable Mary who has a mind very much her own. It made for a compelling and very short read, but then was worth revisiting on audio, if only because Meryl Streep as Mary is a something you don’t want to miss.

Les Liaisons Dangereuses by Pierre Choderlos de Laclos ★★★★★ Frémeaux & associés (2001). Unabridged MP3 CD.
Because I was one of the many fans of the movie when it was originally released and found the book told in a series of letters delivered that much more intrigue and obscenely irresistible cruelty. The audio version featuring a cast of over 10 actors is a real treat, but I supplemented that with a Bibliothèque de la Pléiade edition featuring fascinating essays and additional notes. 

Lonesome Dove by Larry McMurtry ★★★★★
Phoenix Audio (2000), Unabridged MP3, 36h11. Narrated by Lee Horsley.
Because even though I wasn’t all that keen initially on reading a Western story about a cattle drive, once I read this book I just wanted to—and did—stay on with the characters for three more novels.

Harvest by Jim Crace ★★★★½
Hamish Hamilton (2013), Hardcover, 224 pages.
Because this one man in this tiny isolated community in the middle ages seem to express the pain all of humanity has faced since the dawn of the industrial age.

Music & Silence by Rose Tremain ★★★★¾
New York, Farrar, Straus & Giroux (2000), Paperback, 464 pages.
Because this story is about a musician in King Christian’s IV’s Danish court in the 17th century and introduced me to a world I wasn’t familiar with. Because the lutist is a beautiful and idealistic man who falls in love with a lovely young maiden. Because in stark contrast, King Christian is mad and his wife is a manipulative wench who makes Pretentiousness Somehow Appealing.

Le Comte de Monte-Cristo by Alexandre Dumas père ★★★★¾
Livraphone (2008), Unabridged MP3 CDs, 49h50.
A man who becomes almost godlike in his quest for vengeance. Epic. Classic. Mythical. Legendary. Bring on the superlatives. Dumas stole from Arabian Nights and created his own Masterpiece.

Lord of the Flies by William Golding ★★★★¾
Random House Audio Publishing, (2002). Unabridged CD. Narrated by Martin Jarvis.
Because over 30 years after seeing the movie, this dystopian tale about children run amok on a desert island still has the power to chill and enthrall, and then some. I’m treating myself to the Folio edition illustrated by Sam Weber. 

Fathers and Sons by Ivan Turgenev ★★★★½
Tantor Media (2010), Unabridged MP3, 8h16.
Because Turgeniev made his nihilistic anti-hero Bazarov the centre of an outstanding commentary on family, social struggles, love and friendship, all in one very small package that leaves you with plenty to think about. My full review here. 

An Officer and a Spy by Robert Harris ★★★★½
Random House Audiobooks (2013), Unabridged MP3, 16h03. Narrated by David Rintoul.
Because Harris presents the Dreyfus affair from the point of view of a man who initially condemned him, and then became one of his most ardent defenders, and does so in a way that has you on the edge of your seat even though the outcome of the affair is well documented. Really liked David Rintoul’s narration.

91AFB7e1SpL._AA1500_Dragonwyck by Anya Seton ★★★★½
Chicago Review Press (2005), Paperback, 352 pages.
Because the Gothic and Tragic elements of this story about a young farm girl invited to stay with her supremely wealthy cousin were absolutely overpowering (in a good way) and made for a truly delightful reading experience. The Joseph L. Mankiewicz movie version starring Gene Tierney and Vincent Price did a good job of capturing the mood, but could not encompass the richness of the novel. Mariner Books have recently published new editions of a selection of Anya Seton’s novels featuring lovely cover designs (as shown) also available as eBooks. (Recent review here)

An Elephant in the Garden by Michael Morpurgo ★★★★½
Harper Collins Children Audio (2010), Unabridged MP3, 4h18.
Because I feel a soul connection with elephants, though I’ve never laid eyes on one in the wild, and this WWII true story about a zoo elephant who saves a family from the utter annihilation of Dresden really is very affecting. (Recent review here)

The Man of Property by John Galsworthy ★★★★½
Blackstone Audio (2006), Unabridged MP3, 13h49. Narrated by David Case.
Because the first novel in the Forsyte Saga makes clear that the Forsytes are everywhere to be found, and though it is set in late 19th century London, Galsworthy perfectly captured the mentality of the upper middle-class which is still prevalent today, with captivating characters and a story I definitely want to keep following. Narrator David Case aka Frederick Davidson has an unbelievably snooty delivery which often puts me off, but sometimes works very well, as with this novel. With time I intend on completing not just the Forsyte Saga, comprising three books and two interludes, but the complete Chronicles, which includes nine books and four interludes. (Recent review here)

A Thousand Splendid Suns by Khaled Hosseini ★★★★★
Riverhead Trade (2008), Paperback, 432 pages.
Because Hosseini has a unique talent for telling unputdownable horror stories about the trials of the Afghan people (in this case two women) filled with outrageous violence on an individual and social scale, yet always reminding us that as long as there is love, any kind of love, there is always hope.

Snow Falling on Cedars by David Guterson ★★★★½ Vintage (1995), Paperback, 460 pages.
Because through the telling of one Japanese American man’s struggle to find justice in a small island community which has convicted him because of his heritage, the pain of an entire post-WWII nation is revealed with unique beauty. (Complete review here)

Morality Play by Barry Unsworth ★★★★½ AudioGO (2012), Unabridged MP3 5h34. Narrated by Michael Maloney.
Because it’s a damned well written little novel set in the Middle Ages of plague and widespread fear about a young cleric on the lam who joins a troupe of actors, in and of itself a dangerous and unsanctioned move. But then the troupe decides to enact the play of a murder which has just occurred in the village to draw in the crowds and in the process uncover dangerous secrets that might doom players of the troupe and the real life act alike. Read with a rushed, breathless delivery by Michael Maloney which suits the first person narration very well. 

Visiting is 100% free!

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Typography: I shoot it wherever I find it! I recently joined Instacanv.as to make my ever-growing selection of my photographs available to everyone. I’ve been slowly but surely building up my gallery and it’s finally starting to look like something worth writing home about. This is one of several collections I’ve been putting together these last few days… Check it out here: http://instacanv.as/smiler_69/collections/typography. If you like what you see, don’t hesitate to share with your friends and help support an insecure but apparently talented artist!